Classical Music from the Bible – Bach, Verdi and Handel for New Year’s Day

For More Christmas or Bible themed classical music click on the following playlist videos.

Messiah (HWV 56)[1] is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible and the Book of Common Prayer. It was first performed in Dublin on 13 April 1742, and received its London premiere nearly a year later. After an initially modest public reception the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.[n 1]

Handel’s reputation in England, where he had lived since 1713, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s, in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of conventional opera, it is not in dramatic form; there are no impersonations of characters and very little direct speech. Instead, Jennens’s text is an extended reflection on Jesus Christ as Messiah, moving from the prophetic phrases of Isaiah and others, through the Incarnation, Passion and Resurrection of Christ to his ultimate glorification in heaven.

Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards authenticity; most contemporary performances show a greater fidelity towards Handel’s original intentions, although „big Messiah” productions continue to be mounted. Since a near-complete version was issued on 78 rpm discs in 1928, the work has been recorded many times.

From www.ChristianityToday.com – „He [Handel] would frequently declare the pleasure he felt in setting the Scriptures to music, and how contemplating the many sublime passages in the Psalms had contributed to his edification.”
—Sir John Hawkins

By 1741 George Frideric Handel was a failure. Bankrupted, in great physical pain, and the victim of plots to sabotage his career, the once-great opera composer scheduled a „farewell” appearance in London in April. To the London elite, it looked like this „German nincompoop,” as he was once called, was through. That summer, however, he composed Messiah, which not only brought him back into the spotlight, but is still deemed by some to be „an epitome of Christian faith.”

Winchester Cathedral Carols

VIDEO Playlist by cantorisdecani

Giuseppe Verdi’s Nabucco

Nabucco (short for Nabucodonosor, English Nebuchadnezzar) is an opera in four acts by Giuseppe Verdi, based on the Biblical story and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornue. It is Verdi’s third opera and the one which is considered to have permanently established his reputation as a composer.Nabucco follows the plight of the Jews as they are assaulted, conquered, and subsequently exiled from their homeland by the Babylonian King Nabucco (in English, Nebuchadnezzar). The historical events are used as background for a romantic and political plot. (source Wikipedia)

VIDEO by prom opera (2+ hours)

J S Bach – Psalm 51 (BWV 1083)

J S Bach – Psalm 51 (BWV 1083) Documentary and performance. Skip forward to just before 17 minutes for the start of the (marvellous) performance. The documentary is in Italian with French subtitles.

„At a reverent performance of music, God is always at hand with his gracious presence.”

When he was 48, Johann Sebastian Bach acquired a copy of Luther’s three-volume translation of the Bible. He pored over it as if it were a long-lost treasure. He underlined passages, corrected errors in the text and commentary, inserted missing words, and made notes in the margins. Near 1 Chronicles 25 (a listing of Davidic musicians) he wrote, „This chapter is the true foundation of all God-pleasing music.” At 2 Chronicles 5:13 (which speaks of temple musicians praising God), he noted, „At a reverent performance of music, God is always at hand with his gracious presence.” (source www.ChristianityToday.com)

J S Bach – Psalm 51 (BWV 1083) Documentary and performance. Skip forward to just before 17 minutes for the start of the (marvellous) performance. The documentary is in Italian with French subtitles. If you don’t have Italian but can read French at secondary (high school) level then I think you’ll find the documentary very manageable and very interesting. Enjoy 🙂

markfromireland VIDEO by markfromireland PERFORMANCE starts at 17th min.

JS Bach Psalm 51 BWV 1083

Cantatas BWV 170,198,106,136,53 (2 hours)

VIDEO by Gravi Cembalo

♫ Händel: Samson, sacred oratorio in three acts

Handel began its composition immediately after completing Messiah on 14 September 1741. It uses a libretto by Newburgh Hamilton, who based it on Milton’s Samson Agonistes, which in turn was based on the figure Samson in Chapter 16 of the Book of Judges. Handel completed the first act on 20 September 1741, the second act on 11 October that year and the whole work on 29 October. Shortly after that he travelled to Dublin to put on the premiere of Messiah, returning to London at the end of August 1742 and thoroughly revising Samson.The premiere was given at Covent Garden in London on 18 February 1743, with the incidental organ music probably the recently-completed concerto in A major (HWV 307).)

• Susan Gritton: Dalila
• Iestyn Davies: Micah
• Mark Padmore: Samson
• Neal Davies: Manoa
• Christopher Purves: Harapha
• Lucy Crowe: Israelite woman / Philsitine woman / Virgin
• Ben Johnson: Israelite man / Philistine man / Messenger

The English Concert & The New Company
Conducted by Harry Bicket

Royal Albert Hall © Broadcast by BBC, Proms 2009

Handel 1739 Israel in Egypt at Pharoah’s Islands

Oratorio Jerusalem Symphony

A special performance on the shores of the Red Sea

VIDEO by La Casa di Davide

Handel’s ‘Hallelujah’ and Vivaldi’s In Excelsis Deo

Uploaded by Georg Friedrich Händel – Oratorio – Messiah,HWV 56,Part 2, No. 44 Chorus
Hallelujah Chorus, Performed by The English Concert & Choir

Hallelujah, for the Lord God Omnipotent reigneth, Hallelujah!
The Kingdom of this world is become the Kingdom of our Lord and of his Christ, and he shall reign for ever and ever, Hallelujah!
King of Kings, and Lord of Lords, and he shall reign for ever and ever, Hallelujah!
(Revelation 19:6; 11:15; 19:16)
Directed from the harpsichord by Trevor Pinnock

Handel’s „Hallelujah”

Vivaldi Gloria RV 589 D major,
Sara Mingardo, Concerto Italiano,

Playlist VIDEOS by  protestant7

Related articles

Händel for Christmas !

If you have never listened to the entire Messiah oratorio, here are 4 selections to sample. If you would like to listen to the entire oratorio (in 3 parts) and see the lyrics, which are entirely taken from Scripture click here – Handel’s entire oratorio with lyrics (in 3 separate video)It includes the Hallelujah song. Also click here if you want just the Hallelujah song – Handel’s ‘Hallelujah’ and Vivaldi’s ‘Gloria in Excelsis Deo’. Majestic music for a majestic God!

The 4 selections from Handel’s Messiah oratorio

For unto us a Child is born, unto us a Son is given, and the government
shall be upon His shoulder; and his name shall be called Wonderful,
Counsellor, the Mighty God, the Everlasting Father, the Prince of Peace.
(Isaiah 9:6)

Händel: For unto us a child is born

Uploaded on Nov 26, 2008 Sir Colin Davis conducts the London Symphony Orchestra, Susan Gritton, Sara Mingardo, Mark Padmore, Alastair Miles and the Tenebrae choir performing Handel’s Messiah. Recorded in December 2006. PART II No. 39  Uploaded by Lso

And the glory of the Lord shall be revealed, and all flesh shall see it together: for the mouth of the Lord hath spoken it. (Isaiah 40:5)

Uploaded by

Händel: And the glory of the Lord

Since by man came death, by man came also the resurrection of the dead.
For as in Adam all die, even so in Christ shall all be made alive. (I
Corinthians 15:21-22)

Uploaded by

Händel: Since by man came death

The trumpet shall sound, and the dead shall be raised incorruptible, and
we shall be changed. For this corruptible must put on incorruption and
this mortal must put on immortality. (I Corinthians 15:52-53)

Händel: The trumpet shall sound

Uploaded on Apr 22, 2008 The Trumpet Shall Sound from Handel’s Messiah performed live by Nathaniel Mayfield on baroque trumpet in December, 2007. Uploaded by Nathaniel Mayfield

ORATORIUL MESSIAH HÄNDEL la București – Handel’s Messiah in Bucharest (80 minute)

Handel's Messiah in Bucharest 2011

Concertul vocal simfonic Oratoriul „Messiah” de G.F. Händel, Partea II și III la Catedrala Sf. Iosif București (duminică 29 mai 2011) inventivstudio

Filmare video & videomontaj: Kif Studio & Inventiv Studio Bucureşti

Dirijor:
KENNETH TUCKER
Corul „CON SPIRITO” CLUJ
Corul „IN EXCELSIS” BUCUREŞTI
ORCHESTRA SIMFONICĂ A PROIECTULUI „MESSIAH”

Solişti:
ANA CEBOTARI – sopran
ANTONELA BÂRNAT – mezzo-sopran
NICOLAE SIMONOV – tenor
VEACESLAV VULPE – bas

Ca sa vezi versetele biblice din care este compus oratoriul Messiah fa click aici – Scriptures from Handel’s Messiah – Textele Biblice de la Handel’s Messiah (odata pe pagina, in partea dreapta sus, sub globul cu steaguri, fa click pe „ROMANIAN” si va traduce intreaga pagina in Limba Romana)

Georg Friedrich Händel

Georg Friedrich Haendel — portret de Balthasar Denner (1733), National Portrait Gallery, Londra

Georg Friedrich Händel (scris uneori și Haendel, iar în engl. George Frideric Handel, n. 23 februarie 1685, Halle/Saale – d. 14 aprilie1759, Londra) a fost un compozitor germano-englez. A trăit cea mai mare parte a vieții în Anglia. Împreună cu contemporanul săuJohann Sebastian Bach, este unul din cei mai importanți reprezentanți în muzică ai stilului baroc din perioada târzie.

Importanța muzicii lui Haendel

Opera lui Georg Friedric Haendel reprezintă, împreună cu creațiile lui Johann Sebastian Bach, punctele culminante ale muzicii baroce. Stilul operistic al lui Haendel s-a dezvoltat de la folosirea modelelor convenționale la tratarea dramatică a recitativelor, ariilor și părților corale. Marile sale opere se caracterizează printr-o magistrală îmbinare a patosului, scenelor dramatice și interludiilor orchestrale, prin folosirea modulațiilor armonice, instrumentalizării colorate, ritmului pregnant și intervenției soliștilor instrumentali sau vocali. El a influențat generațiile următoare de compozitori, ca Joseph HaydnLudwig van Beethoven sau Felix Mendelsohn Bartoldy.

Oratoriile și muzica instrumentală

Haendel se orientează spre compoziția de oratorii pe teme laice și spre muzica instrumentală, în tradiția muzicii engleze a lui Henry Purcell. Astfel dă la iveală oratoriile„Athalia” (1733) și „Saul” (1739) și compune concerte pentru orgă și orchestră (1736), precum și cele 12 Concerti grossi opus 6 (1739). În 1742 realizează celebrul oratoriu„Messiah”, executat în premieră la Dublin, rămas exemplar în acest gen până astăzi (Halleluja din acest oratoriu este una din cele mai cunoscute și mai des executate bucăți muzicale). Alte oratorii din această perioadă sunt: „Israel în Egipt” (1739), „Samson” (1743), „Iuda Maccabeul” (1747) și „Solomon” (1749). Cu ocazia încheierii tratatului de pace din Aachen în 1748, Haendel compune bucata „Foc de artificii” care, împreună cu „Muzica apelor” compusă mai înainte (1717) cu ocazia urcării pe tron a regelui George I, a căpătat o mare popularitate. În timp ce lucra la compoziția oratoriului „Jephta” (1751), Haendel își pierde vederea. Moare la Londra pe 14 aprilie 1759, fiind înmormântat cu deosebite onoruri în „Colțul Poeților” din Westminster Abbey.

Vezi si

Händel for Christmas !

If you have never listened to the entire Messiah oratorio, here are 4 selections to sample. If you would like to listen to the entire oratorio (in 3 parts) and see the lyrics, which are entirely taken from Scripture click here – Handel’s entire oratorio with lyrics (in 3 separate video)It includes the Hallelujah song. Also click here if you want just the Hallelujah song – Handel’s ‘Hallelujah’ and Vivaldi’s ‘Gloria in Excelsis Deo’. Majestic music for a majestic God!

The 4 selections from Handel’s Messiah oratorio

For unto us a Child is born, unto us a Son is given, and the government
shall be upon His shoulder; and his name shall be called Wonderful,
Counsellor, the Mighty God, the Everlasting Father, the Prince of Peace.
(Isaiah 9:6)

Händel: For unto us a child is born

Uploaded on Nov 26, 2008 Sir Colin Davis conducts the London Symphony Orchestra, Susan Gritton, Sara Mingardo, Mark Padmore, Alastair Miles and the Tenebrae choir performing Handel’s Messiah. Recorded in December 2006. PART II No. 39  Uploaded by Lso

And the glory of the Lord shall be revealed, and all flesh shall see it together: for the mouth of the Lord hath spoken it. (Isaiah 40:5)

Uploaded by

Händel: And the glory of the Lord

Since by man came death, by man came also the resurrection of the dead.
For as in Adam all die, even so in Christ shall all be made alive. (I
Corinthians 15:21-22)

Uploaded by

Händel: Since by man came death

The trumpet shall sound, and the dead shall be raised incorruptible, and
we shall be changed. For this corruptible must put on incorruption and
this mortal must put on immortality. (I Corinthians 15:52-53)

Händel: The trumpet shall sound

Uploaded on Apr 22, 2008 The Trumpet Shall Sound from Handel’s Messiah performed live by Nathaniel Mayfield on baroque trumpet in December, 2007. Uploaded by Nathaniel Mayfield

Handel’s ‘Hallelujah’ and Vivaldi’s ‘Gloria in Excelsis Deo’

Uploaded by Georg Friedrich Händel – Oratorio – Messiah,HWV 56,Part 2, No. 44 Chorus
Hallelujah Chorus, Performed by The English Concert & Choir

Hallelujah, for the Lord God Omnipotent reigneth, Hallelujah!
The Kingdom of this world is become the Kingdom of our Lord and of his Christ, and he shall reign for ever and ever, Hallelujah!
King of Kings, and Lord of Lords, and he shall reign for ever and ever, Hallelujah!
(Revelation 19:6; 11:15; 19:16)
Directed from the harpsichord by Trevor Pinnock

Handel’s „Hallelujah”

Vivaldi – GLORIA:  Gloria in excelsis Deo

Uploaded by   Antonio Vivaldi (1678~1741) – Gloria in re maggiore, RV 589 – (per 3 voci soliste, coro, tromba, oboe, violino [a piacere] 2 viole, 2 violoncelli, archi e basso continuo)

Deborah York (soprano)
Patrizia Biccirè (soprano)
Sara Mingardo (alto)

Akademie Vocal Ensemble- Concerto Italiano (period instruments orchestra) Rinaldo Alessandrini (conductor)

Part 1

I. ‘Gloria in excelsis Deo’ (Coro) – 00:00
II. ‘Et in terra pax hominibus’ (Coro) – 01:56
III. ‘Laudamus te’ (Aria duetto) – 06:03
IV. ‘Gratias agimus tibi’ (Coro) – 07:59
V. ‘Propter magnam gloriam tuam’ (Coro) – 08:27

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